His refusal to leave the University of Washington library and retire to his dorm for the night led to his arrest and conviction by the Seattle Federal District Court. I hope they will feel the urgency of recognizing that we can never take our freedom and our constitutional rights for granted, that we have to be willing to fight for them, not just for ourselves, but for future generations. Also, as our country’s politics have lurched to the right, with hate crimes against minority groups and anti-immigrant hysteria terrifyingly on the rise, more and more audience members seem to be viewing Gordon’s story as almost a direct response to threats and tragedies happening here and now.One of the best moments for sure, was when the Hirabayashi family – Gordon’s wife, children, nephews and grandchildren all came down to see the play in Seattle. The shame. Build and maintain a community of supportive, like-minded artists. Except, of course, that as a Massive trouble arrives after the Japanese bombing of Pearl Harbor. Your Journal. It makes it hard to own the difficult choice to follow the path of an artist.For me, the only time I really feel connected to an audience is in the theater. She was deeply interested in the facts, but had to fictionalize in the interests of drama. She was deeply interested in the facts, but had to fictionalize in the interests of drama. The entire intention is to actively share with the community that has come together. 8 p.m. Tuesdays-Fridays, 4 and 8 p.m. Saturdays, 2 and 7 p.m. Sundays; ends June 25Information: (626) 356-7529 or www.PasadenaPlayhouse.org Today, if the government ordered Americans of Asian ancestry into concentration camps, I think the reaction would be very different – I think there would be much more active and impassioned resistance, because we have been able to absorb the lessons of our parents’ suffering.I didn’t have a specific process in mind when I started out – I just plunged in with great passion for the story, knowing that I had terrific mentors like Chay Yew, Len Berkman, and so many others to whom I owe so much.My script is based on personal interviews that I and historians, including Roger Daniels, had with Gordon, as well as letters and articles that Gordon wrote. Culturally, many were not brought up to resist the group dynamic, as Japanese culture emphasizes the group over the individual, and putting the group’s needs first. She was deeply interested in the facts, but had to fictionalize in the interests of drama. And yes, the Japanese are resented by many other Asian groups. Table, sofa, rocking chair. Jeanne Sakata, a successful actor but first-time playwright, had the dual problems of introducing the audience to a relatively unknown hero as well as to a traumatic but largely forgotten military, social and political history. The endlessly versatile de La Fuente portrays this character as effortlessly as he does the sheriff, the various friends, judges, lawyers, and Gordie’s wife, who brings him their twin daughters on a visit to prison.At the end of the play, de la Fuente pulls his cardigan out of the suitcase, puts his glasses back on, and updates his story:“And the years pass, and I teach class, and my kids grow up, and my hair grays, and one night, after a poker game, I get a phone call out of the blue…”Someone in D.C, has uncovered a secret report from the War Department, confirming that there was no “military necessity” for the mass incarceration of Japanese Americans. Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and moreBarrington Stage Company, the Berkshires theater that produces frothy mainstream musicals alongside serious, contemporary plays has chosen to launch its 25Reflecting on this philosophical conflict as he walks toward the stage is Professor Gordon Hirabayashi, a 65-year-old retired professor of sociology who, as he tells the audience, has struggled to live by such principles, but has never been able to reconcile them with the memory of “the stigma. But, above all, I wanted the play to tell a great story, vibrant and alive, and not just be a recitation of those facts.


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